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A hotel complex located on Kensington High Street, London, drawing on the British aesthetic longing for softened everyday experiences contrasted with industrial hardness. Through investigating artists’ formal softening approaches–including hard-lined curves and blurred boundaries–the hotel intends to cure urban melancholy with recreation, bathing, and landscape fusions with the site. The curing concept integrates with a theory of perceptual lag and deception, in which visitors could withdraw to retreat and enter a series of dreamy spatial experiences that challenge our perceptual consensus.
The project is interested in the theory of perceptual deception and the relationship between seeing and touching.
Dream among a materially unexpected landscape of deception.
Through the act of softening hard surfaces and blurring tough edges, a perceptual, welcoming landscape is constructed among a light architectural whole.